Author: Claudia Alick

It’s Just a Joke

The phrase “it’s just a joke” has frequently been employed as a guise to conceal the insidious undercurrents of supremacy culture performance. While humor can serve as a means of social commentary and critique, it can also be manipulated to perpetuate harmful ideologies and stereotypes under the pretense of jest. In many instances, this phrase has been used to trivialize or downplay offensive remarks, allowing individuals to evade accountability for their discriminatory or prejudiced viewpoints. This calculated camouflage enables the propagation of supremacist ideologies by normalizing and desensitizing audiences to harmful rhetoric. By labeling offensive statements as mere humor, those perpetuating supremacy culture seek to create a veneer of innocence while advancing their divisive agenda. It is imperative to critically examine such instances and recognize that beneath the guise of humor lies a more troubling attempt to reinforce and normalize prejudiced beliefs.

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The Covid Cautious Tax

The COVID-19 pandemic has affected every aspect of our lives, from the way we work to the way we socialize. One issue that has emerged during this time is the idea of a “COVID cautious tax.” This term is related to the concept of a “disability tax,” where disabled people pay more for basic services because they have to add accessibility measures. In the same way, those who continue to be hypervigilant about COVID-19 take on a greater burden for society.

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Let’s Talk: What Artists Need To Thrive

A collaboration between Authentic Arts and Media and Kenneth Rainin Foundation, are bringing in experts to answer your questions and dive deep into equity-related topics. This pilot is a new series that aims to demystify arts funding and grant making. Panel featuring Artists: Claudia Alick, Antoine Hunter, Laurel Lawson, Judith Smith AND Funders: Lane Harwell, Esther Grisham Grimm

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3Arts Disability Culture Leadership Initiative

The Disability Culture Leadership Initiative (DCLI) includes video conversations and convenings with Deaf and disabled artists in Chicago. The participants are alumni of the 3Arts/Bodies of Work Residency Fellowships, a program that is centered on the creation of new work, professional development, and advocacy for Disability Arts & Culture.

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DIS REP 2023

Dis/Rep (Disability/Representation) is a yearly series of virtual dialogues focused on Disability, accessibility, and culture. It is currently co-produced by The Curiosity Paradox, Calling Up Justice, and Catalyst Consulting Associates LLC.

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Guide to Accessing Breakout Rooms in Zoom

Breakout Rooms are one of the features of Zoom frequently used by the facilitators. Breakout Rooms allow the participants to be in smaller meetings within the larger meeting for group activities. This resource guide includes photos and clear directions for accessing breakrooms from a variety of devices.

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GAMING4JUSTICE

Gaming for Justice, our social justice gaming stream project with Maiamama, is a weekly digital space for consciousness raising with fun entertainment and hanging out

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The COVID Zoom Boom Is Reshaping Sign Language Michael Skyer demonstrates the American Sign Language (ASL) sign for Zoom. Credit: Michael Skyer

American Sign Language (ASL) interpreter best practices for Zoom meetings

The article provides best practices for American Sign Language (ASL) interpreters during Zoom meetings. The interpreter should have a pre-meeting consultation with the host to ensure that the necessary measures are in place for an accessible meeting. During the meeting, the interpreter should be available early to establish a connection with the D/deaf or hard-of-hearing participants and ensure that videos are pinned. The interpreter should also identify the ASL user who is speaking and clearly communicate when the interpreters are switching. After the meeting, the interpreter should check in with the participants and hosts for feedback.

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