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The Edward Medina Prize for Excellence in Cultural Criticism is a new award for reviewers, critics, and journalists in the U.S. from under-represented groups who write about theater and its role in highlighting people from various cultures, backgrounds, and experiences.
Taking a stance against genocide does not require an in-depth knowledge of geopolitics. It is a simple act of condemning the violence and advocating for the protection of human rights.
At Calling Up Justice, we prioritize accessibility and inclusivity in all our meetings. To achieve this, we employ a unique practice called the “Access Hold.” The Access Hold is a proactive and immediate solution designed to address access issues on the spot, ensuring that every participant can fully engage in our meetings.
Why Mask is a performance art project by Claudia Alick that invites people into an artistic exploration of community care and COVID cautiousness.
In this first community agreement Circle-Up, we’ll start to develop collective language through peer-based knowledge exchange, listening, and learning. This will be an active work session to share and collect examples of community and collaboration agreements from the NET membership.
Why Mask by Claudia Alick features a sign with a prominent QR code that leads to a digital site full of photos of people wearing
Crip Rave™ is a Toronto-based collective, event platform, and consulting hub showcasing and prioritizing Crip, Disabled, Deaf, Mad and Sick body-minds within safer and more accessible rave spaces.
Are you producing an accessible performance or are you part of the disability community and need accessibility? We highly recommend checking out Bay Area Accessible Performances, a fantastic resource brought to you by Gravity Access Services.
Experiments in Art, Access & Technology, or E.A.A.T. chronicles the emergence of access as an animating principle of art, science, and technology.Meesh Fradkin, Carmen Papalia, Josephine Sales, Andy Slater, and Olivia Ting premiere new work developed in the Leonardo CripTech Incubator, an art and technology fellowship for disability innovation.
Claudia Alick’s 9/11 Street-Poetry Project is a testament to the resilient spirit of New York City in the face of adversity. Claudia, who was in
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Calling Up Justice is fiscally sponsored by Intersection for the Arts, a 501(c)(3) nonprofit organization, which allows us to offer you tax deductions for your contributions. Please make checks payable to Intersection for the Arts, and write “Calling Up Justice” in the memo line. This ensures that you’ll receive an acknowledgement letter for tax purposes, and your donation will be available for our project.