Artistic and Process Statement: Claudia Alick’s “WOMAN” began as an exercise in creating a series of Black women dancing. It was actually a complicated task of using different prompts to get images that resulted in the right images. The machine kept producing white dominant images if Claudia was not specific. The animation was meant to evoke Black joy and femme power. She named the piece “Woman” and searched for a song to add to the animation. She chose the song Woman from Doja Cat.
Artistic and Process Statement: Claudia Alick’s “HER” began as a exercise to make a woman walk with apowerfist in the air. Claudia made a collage using different elements and fed it through a generator to produce hundreds of images. The artistic impulse was one to add collaged images that would inspire the machine to produce what she wanted. When she shared the animation online she added the Megan the Stallion song Her and names the piece after that.
Artistic and Process Statement: Claudia Alick’s “Funky Girl” was inspired by a tiktok artist named Fungkiigrrl’s video where she edited herself dancing with cool visuals.
Artistic and Process Statement: Claudia Alick’s “Sis You a Bad Bitch” began with a collage of a Black woman. I used the AI generators to generate versions that were screaming in joy, pain, or standing in their power. I edited an animation that cycled through these different emotions. I added the music Sis You A Bad Bitch 2.0 by Shariya Wise and named the piece after the song.
Artistic and Process Statement: Claudia Alick’s “Vader Thanksgiving” started with a desire to make a video that juxtaposed fascistic imagery with wholesome family centric imagery. It was Thanksgiving and Claudia was thinking about the evil origins of the holiday. She took traditional pilgrim imagery and generated images from it only choosing the most disturbing versions. She asked the platform to produce Darth Vader in a variety of idyllic of Thanksgiving Day themed scenes. After editing the images she added music from the Star Wars Holiday Special with Carrie Fisher.
Small Town Stormtroopers was created by Claudia lick. She was inspired by fascists imagery and beautiful things she pulled from growing up in a predominantly white small town. Many people have an idolized vision of police in their communities. This is satirical and meant to conjure the ridiculous. We laugh to keep from crying.
Claudia Alick’s “Black Superwoman” began as an exercise and became something more than the concept. The blends of vibrant colors, diversity of Black femme faces and choices of texture all carry powerful messages. I chose bright colors like red, white, and blue, and expanded by adding oranges and purple. It was meant to reference patriotic pallets as well as african-american styles and feminine iconography. In the art, there are lots of different hairstyles and head coverings that Black women wear.
Claudia Alick’s “Black Superwoman” began as an exercise and became something more than the concept. The blends of vibrant colors, diversity of Black femme faces and choices of texture all carry powerful messages. I chose bright colors like red, white, and blue, and expanded by adding oranges and purple. It was meant to reference patriotic pallets as well as african-american styles and feminine iconography. In the art, there are lots of different hairstyles and head coverings that Black women wear.
Claudia Alick’s “Black Woman Walking” was her first animation. She knew that she wanted to have a black woman walking and changing into different Black women. Claudia Alick’s piece is an invitation to contemplate the Black Woman Walking and choose one that speaks to you.
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